Allie Doersch
A bird's eye view of the mansion, gardens, and
surrounding area. Two figures standing in front, gazing up. With suitcases.
The two figures, John and the narrator [woman],
their hands hanging down holding suitcases, we see their wedding rings.
Woman's hand opens the door to the house.
Woman drinking medicine
Woman strolling through gardens.
Woman sitting on bed staring out window.
Zoom in on woman's hands.
View of a desk top with pen and blank paper, we see part of a window.
Straight view of woman, looking at viewers, hands
in her lap, straight expression.
Woman
Personally, I disagree with their ideas.
Woman writing at desk
View of the top portion of the house, and the sky
above it
A view of a fence with locked gate, and little
houses behind it. Trees, hedges, etc.
Close up of colorful flowers and plants
Woman writing, looking over shoulder
woman
But I can feel something strange.
Silhouette of woman at desk from behind, in front
of window.
Woman
I don't like this room one bit.
View looking up to a corner of the room, we see
where two walls and the ceiling intersect.
A close look at the wall paper, straight on, the
pattern fills the panel.
Woman quickly putting writing away in a drawer,
we can see open door in the background, with the top of John's head ascending
the stairs.
(Noise balloon)
Thud, thud, thud.
Woman
There comes John!
Woman sitting in window sill, writing.
Woman
This is only nervousness.
Close up on woman's face, pondering look with her
pen up to her mouth, grinning slightly.
woman
I am glad my case is not serious!
Woman dressing herself, worried/somber/tired
expression. We can see the yellow wallpaper.
Woman laying on bed, staring, tired look in her
eyes. Bird's eye view.
Woman sitting on bench in the garden with John.
facing each other
woman
I want to repaper the room.
Same viewpoint, John is laughing, woman seems
hurt.
Same viewpoint, John takes woman's hand in his
own.
JOHN
You can't give in to such fancies.
Closer view of John's face, he looks encouraging
but stern.
John
The place is doing you good.
Sun setting behind trees, we only see the tops
and the sky above.
View out of window, we are looking down to see
the garden.
View out of another window, we look down to see
the wharf.
View out of a third window, we look down to see a
lane.
A straight view of the woman, staring ahead, the
wallpaper fills the rest of the panel behind her. Her facial expression is
blank.
We see the wallpaper and a little of the
floorboards. Parts of the wallpaper are torn off to show the blank wall beneath.
We see the woman's feet as if she were looking
down at her own. The splinters on the floor are large and rough.
We see a drawer with papers with writing on them
spilling out of the top. The drawer is almost closed.
woman
I must not let them find me writing.
View of the wallpaper again with a double layer
effect, we see the wall, crown molding, and a small part of the ceiling.
Woman looking sideways, writing at desk, we see
the wallpaper at her side.
woman
...in a particularly irritating shade.
We see the window, the sun is setting and beaming
in. Where the light hits we can see the second pattern.
We see the woman's face, her eyes are closed,
surrounded by the wallpaper.
woman
I can see a formless sort of figure.
The wallpaper, the ambiguous figure is on the
left of the panel.
Same shot, figure is in the center.
Same shot, figure is on the right.
(caption spreads beneath panels 5,6, and 7)
It seems to sulk about behind that silly front design.
A group of people sitting in a group in back of
the house by the garden.
Woman looking down out of the window, we see the
same group of people sitting below.
woman
I did nothing.
Woman curled up in bed, we only see her hair. Her
body language suggests discontent.
We see the woman's face, she is laying on her
side in bed, tears streaming down her face.
woman
But only when I am alone.
A large panel, it looks like a map of the house
and surrounding grounds. The woman is standing a one corner, and there is a
dotted line behind her that shows the path along which she has strolled.
woman
So I walk a little. But the wallpaper...it dwells in my mind
so!
Another large panel, it too is a map, but of the
wallpaper, with a dotted line following the route of its pattern.
A close up of the woman's eyes: blood shot and
baggy from fatigue.
woman
It tires me to follow it.
Laying in bed, a silhouette against the wallpaper.
woman
I will take a nap I guess.
Woman sitting, writing.
woman
I tried to have a real earnest reasonable talk with John the
other day.
Panel 2 expands from woman's head as she is
writing, as if remembering what had happened. She is pleading with john, facing
him.
Woman
I want to leave.
John picks woman up in his arms.
John carries her up the stairs.
John tucks her in, a closer shot of her face and
his hands. She still has tears streaming down her cheeks
John reads to her as she falls asleep.
Nighttime. The woman lays awake in bed, staring
at the wallpaper.
woman
The shapes get clearer every day.
We see the desk, with various things on it, part
of the window, and the wall. On the wall we see a figure creeping behind the
pattern.
The moon shines through the window, across the
floor and bed.
woman
I hate to see the moonlight creeping.
Woman gets out of bed, looks and gestures as if
to move towards the wall to examine the paper.
John appears, we see him from behind as he peeks
in the doorway.
John
What is it, little girl?
The two are sitting on the bed, he has his arm
around her as an action of comfort, and has his other arm out in front of him.
john
Really dear you are better!
woman
Better in body perhaps.
We see the wall and window, with the woman
sitting in front of it on her bed with her back to us. It is daytime.
woman
The pattern is torturing.
Same view of the woman, but it is night. The
wallpaper has transformed and the moon is shining.
woman
It slaps you, knocks you down.
Same view as panel 4
woman
It cultivates deceit, and keeps me quiet.
Same view as panel 5
woman
And by moonlight, it becomes bars!
The woman is laying in bed, pretending to be
asleep but with one eye open. John is behind her, examining the wallpaper.
WOMAN
I have caught them looking at it...
Woman writing, bent over, and if she is
scribbling quickly.
Woman
But I am determined that no one shall find it out but myself!
Woman is writing still, but a closer crop on her
face. Again she has a small grin, and looks pleased and a bit devious.
Woman
Life is very much more exciting now.
We see her hands from above, writing at a fast
pace.
woman
I don't want to leave now until I have found it out.
Close up of pen, writing on paper. We see the
wallpaper in the background.
woman
It is the strangest yellow. But there is something else...
We see the wall, with vapors seeping off of it,
down the stairs and into the hall.
The woman's face and shoulders, turning her head
and running into the smell vapors, with a slightly disgusted look on her face.
Woman staring straight ahead, looking more crazed
than previous shots of her head.
woman
I thought seriously of burning the house...
Close up of the vapors floating above the woman's
head. We only see the top of her hair, it is messy.
woman
...to reach the smell.
A long panel, showing the floor and bottom part
of the wall. A streak run along the entire panel.
We see the woman from the side, she is sitting up
in bed, as if just waking up.
woman
(above her)
I have discovered something.
(below her)
The front pattern does move!
Close up of the woman's eyes. In the shape of her
eyes we see the pattern vibrating. Her eyes look wired, and unnaturally awake.
A slanted view of the wall, so we can see a shape
emerging from the wall, escaping from the 2nd dimension.
Paper woman creeping in the garden.
Paper woman creeping by the wharf.
Paper woman creeping in the lane.
(spanning under panels 4, 5, and 6)
I've seen her out of my windows! Always creeping.
A solid block of black, with text written in the
yellow color.
We see a cracked door, with one eye peering
through.
It is night. We see the floor panels and bottom
of the wall again, but we see the woman crawling along the bottom. The woman's
hands are entering the panel from above, and are clinging to a scrap of paper
that is hanging fro the wall, about to rip it off.
We see the wall, with strips torn off, the
woman's hands now at the bottom of the composition. The paper woman is
clamoring at the bare pieces.
woman
She shakes and I pull, I pull and she shakes.
It is morning. The woman stands with a strip of
wallpaper in her hand, staring with crazed determination. We see that she has
torn off much of the paper in the night.
woman
I will finish it today!
The woman locks the door.
The woman tosses the key out of the window.
We see the woman tearing off the wallpaper in a
frenzy.
The woman is running into the wall, running her
shoulder along the streak as she clings to the remaining wallpaper.
woman
I will never go outside, they can't make me!
We see the door, with the knob rattling.
John
Open the door my darling!
The woman is on the far side of the room, stooped
over with her hair in a mess, strips of paper everywhere and her shoulder
pressed against the wall. She glares towards the door.
woman
I can't! The key is down under a plantain leaf!
John's hand lifts up a leaf, and grabs the key.
John has unlocked the door and opens it, we see
hints of the chaos through the crack.
john
For God's sake, what are you doing!
We see the woman from behind John's hand, which
is shaking. She is looking over her shoulder and stooped down.
woman
I've got out at last, and you can't put me back!
John has fainted, and is lying on the floor. The
woman has just creeped past him. We are looking down on the room from a high
point of view. A dotted line follows the woman around the circumference of the
room, indicating that the is moving in a repeated circle.
No comments:
Post a Comment